Monday, February 27, 2012

2012 YALSA Award for Excellence in Nonfiction


The Notorious Benedict Arnold: A True Story of Adventure, Heroism, and Treachery
By Stephen Sheinkin

Flashpoint/Roaring Brook Press, 2010
ISBN: 978-1-59643-4686-8

Grades 6 and Up

Review
If you are of a certain generation, you remember when Peter Brady was assigned the role of Benedict Arnold, dashing his hopes of playing George Washington. In American culture, Benedict Arnold is synonymous with words such as villain or traitor. He was the first American leader to profoundly disappoint the American population. But readers of this cradle-to-grave biography may be surprised at how many times the Continental Army lived to see another day because of Arnold’s actions, approved or otherwise. In short chapters that keep the pace moving, Sheinkin provides readers with the unique opportunity to explore Arnold’s “backstory,” including his successes and failures prior to the start of the American Revolution, the various roles he played in the Continental Army, and in particular, just how close he was to George Washington, and what a personal and public devastation Arnold’s treachery was to the Commander. Without Arnold, the American Revolution could have ended much earlier, in favor of the British. With Arnold, it almost ended earlier, in favor of the British. Ideal for exploration in small groups and literature circles, this engaging biography allows readers to examine maneuvers and morals, alliances and ambition.  

Teaching Invitations
  • Comparing Biographies. If you teach language arts exclusively, you may teach a biography genre study. Put students in small groups in which they compare and contrast how one individual has been represented in multiple biographies. Have some students in the group read Jim Murphy’s The Real Benedict Arnold while others read Stephen Sheinkin’s The Notorious Benedict Arnold. How are the two biographies similar? How do they differ? How is each organized? What is the mood within each biography? Do the students read any bias for or against Arnold within either work? If you are a middle or high school social studies teacher, you may want to have students exploring biographies of leaders in American history or specifically the American Revolution, and this pairing would work equally well. The source notes in this book are a good starting point.  
    • From Benedict Arnold to Linsanity. To be called a “Benedict Arnold” is a terrible insult, as Peter Brady well understood (http://www.tv.com/shows/the-brady-bunch/watch/everyone-cant-be-george-washington-4990/ ). What other people from history or contemporary culture have been associated with good or bad deeds? Why do such labels work? Why do some labels “stick” while others fade away in a generation? How long will the word “Linsanity” make sense? Do your students know what being a “Polyanna” is? What about “going postal?” Have students ask older neighbors, grandparents, or parents what names or labels they remember from their teenage years, both positive or negative.
    • Arnold’s Battlefield Victories. To what extent did Benedict Arnold use great strategy in battle, and to what extent was he simply bold and audacious? Have your students examine some of the critical battles of the American Revolution written about in The Notorious Benedict Arnold, and then, using the websites of those battlefield sites, have them map out or draw his actions. What could have gone wrong but didn’t? What did go wrong, but helped him?
    • Exploring the Continental Congress. Throughout the biography, references are made to the Continental Congress and the careful balancing act George Washington had to perform in order to get what he needed. These efforts frustrate Benedict Arnold at various points in his life, leading to his ultimate decision to betray the cause. Typically, student in K-12 American education are not taught about the various personalities in the Continental Congress beyond what they might see in the 1972 film version of the Broadway musical 1776 (see excerpt at http://www.youtube.com/watch?v=DqAdlkJDt7k&feature=related) .  Who were these men? How did regional politics and egos impact their decisions? Have students read a biography of one member of the Continental Congress, and compare it to The Notorious Benedict Arnold. Once students compare and contrast who these men were, and their collective strengths and weaknesses, perhaps they can use what they have learned to examine the similarities and differences in today’s Congress. In particular, students might want to examine decisions made by Congress over the past decade regarding the recently concluded war in Iraq and the ongoing military effort in Afghanistan.
    • Alternative Histories. What if Benedict Arnold had succeeded? What if the British captured George Washington and West Point? Have students explore this possibility by creating fictional snapshots of what our nation would be today. Would it still be part of the British Empire? Part of Canada? What other moments in American history represent “near misses?” What if the Japanese had not bombed Pearl Harbor? Would we have entered World War II? Interested students might want to read The Year of the Hangman by Gary Blackwood (2004), set in New Orleans after the British have squashed the American rebellion (see Further Explorations below).
     Critical Literacy
    • Hero or Villain? Most American history books refer to Benedict Arnold as a villain, a traitor. Yet, as Sheinkin’s biography makes clear, there were many times during the American Revolution when Benedict Arnold’s actions, approved or otherwise, created American victories. Was Arnold justified in giving up on the American cause? Did Sheinkin do a sufficient job explaining why Arnold made the decision that he did? Was there any merit to Arnold's decision? Was he treated fairly by fellow officers and the Continental Congress? In what ways were other colonists and members of the Continental Army as frustrated as Arnold? Is there ever a time when ending a war, rather than winning it, is more important? Was this one of those moments? Or like all the myths that surround him, was Arnold merely greedy for money, power, and recognition?Does he deserve contemporary admiration for his battlefield victories? How should the British feel? Is he “their” hero? Were British soldiers and citizens justified in reviling him during and after the American Revolution? Explore these ideas with your students, using some of the resources in Further Explorations (see below).
    • Textbooks versus Biographies. Collect a sampling of American history textbooks that “cover” the American Revolution. Have your students compare and contrast in small groups the individuals who are cited in the textbooks for specific actions they took. What attention does Benedict Arnold receive? Are his positive contributions to the American cause included, or just his traitorous actions? Should they be?  
    Further Explorations

    Online Resources

    Steve Sheinkin’s Website

    Benedict Arnold’s Papers at Harvard University’s Houghton Library

    Library of Congress: Benedict Arnold’s October 20, 1780 Proclamation

    Benedict Arnold in London, England

    Benedict Arnold in New London, Connecticut

    Fort Clinton, Fort Arnold @ West Point, now the United States Military Academy

    Fort Ticonderoga

    Saratoga National Historic Park

    George Washington’s Papers at the Library of Congress: Timeline of the American Revolution

    Mt. Pleasant, Benedict Arnold’s Home in Philadelphia

    John Andre’s Monument in Westminster Abbey, London

    John Andre in Art, Courtesy of the Worcester Art Museum, Worcester, MA

    DeWint House, Tappan, New York: Site of Andre’s Hanging

    Benedict Arnold’s Letters and Portraits in the New York Public Library Digital Gallery

    Brady Bunch Episode: “Not Everyone can be George Washington”

    Books

    Aronson, M. (2005). The real revolution: The global story of independence. New York:  Clarion.
    • Aronson reframes the discourse around the American Revolution by discussing it in the context of Britain’s global empire and its need to balance colonial interests globally.
    Blackwood, G. (2002). The year of the hangman. New York: Speak.
    • As alternative history, this historical novel set in 1777 reveals the founding fathers living an underground existence in New Orleans. The British crown squashed their attempts at rebellion in 1776, and George Washington now awaits the hangman for his treason.
    Murphy, J. (2007). The real Benedict Arnold. New York: Clarion.
    • This multiple-starred review biography explore Arnold’s life through the lens of his reputation, and the myths that surround him in American lore.
    Rinaldi, A. (1994). Finishing Becca. New York: Harcourt.
    • In this coming-of-age story, we witness Peggy Shippen through the eyes of Becca Syng, her personal servant. When Peggy marries Benedict Arnold, Becca leaves the Shippen home to accompany Peggy to Mt. Pleasant.

    Sunday, February 19, 2012

    2012 Newbery Honor Winner: Breaking Stalin's Nose


    NOTE: For our entry on the 2012 Newbery Medal Winner, Dead End in Norvelt, click here. For our entry on the other 2012 Newbery Honor Winner, Inside Out & Back Again, click here.

    Breaking Stalin’s Nose
    Written and illustrated by Eugene Yelchin
    Published by Henry Holt Books for Young Readers, 2011
    ISBN # 978-0805092165
    Grades 5 and up

    Book Review

    A children’s book about the political tyranny, social injustices, and widespread suffering and suspicion of the Stalinist regime is a rare find. A children’s book that narrates experiences during this time from the first-person perspective of a ten-year old child who goes from beguilement to utter disillusionment is a gem. Eugene Yelchin’s debut novel does more than that. In Breaking Stalin’s Nose, Yelchin successfully summons his talents as an accomplished artist and picture book illustrator, as well as his personal experience as the child of a Soviet Communist, to portray Sasha’s shattering coming-of-age tale. All Sasha wants to do is to be like his father, a member of the State Security secret police, and to join the Young Pioneers, the national youth organization devoted to Comrade Stalin and Communism. When his father is accused of being a traitor and arrested in the middle of the night, Sasha’s world begins to unravel. Now homeless, he attempts to make sense of the arrest while showing unwavering loyalty to the Soviet Union. When he and other children are continually forced to choose between their families, friends, and nation, Sasha learns new meanings and consequences of loyalty and righteousness. Told within a two-day timeframe, Sasha’s journey from naivete to cynicism is powerful and well-paced. Yelchin’s detailed graphite illustrations effectively heighten the sinister mood of the story, but what is most remarkable is how his writing captures the terror and menace of a world in which even children can be suspected, accused, and imprisoned as enemies of the state. Breaking Stalin’s Nose is teeming with possibilities for classroom discussions about civics, ethics, history, and social responsibility, and its brief chapters, lucid prose, and mesmerizing illustrations will entice even elementary school readers to delve into these issues.


    Teaching Invitations
    • Forms of Government. Breaking Stalin’s Nose centers on a young boy’s daily experiences at home and in school under a totalitarian government. Have your students compare and contrast the various forms of government, from democracies to monarchies to oligarchies and dictatorships. Help them search for examples of each, whether currently existing or in the past, and encourage them to investigate how such a government was established in their examples. Visit Kids.gov (see Further Explorations section below) for additional resources. 
    • Guilt by Association. This concept is prevalent throughout the novel. As a type of logical fallacy, it's power lies in its ability to appeal to and manipulate people's emotions, especially irrational fear. As a result, this concept has characterized many political platforms and reigns throughout history. Engage your students in an inquiry about this  logical fallacy and others. Begin with a search for examples in Breaking Stalin's Nose, then extend the inquiry into examples from history (e.g., the McCarthy era), and then challenge your students to find and analyze examples from contemporary times (e.g., in op-ed pieces, political candidates' speeches, tabloid publications, advertising, etc.). See the websites in Further Explorations for more resources.
    • Youth as Political Activists. At the beginning of the novel, Sasha dreams of joining the Young Soviet Pioneers. Throughout history, various youth organizations were formed to officially support different political campaigns. Have your students research some of these organizations. How were they established? How long did they exists? What were their various purposes or missions? What political platforms did they support? Compile the results of student research into a class informational book or wiki on the topic of youth as political activists. 
    • Exploring Citizenship. Throughout the novel, adults and children alike are accused of being “enemies of the people.” What does this phrase mean in this novel? In this historical setting? Engage your students in an inquiry about what it means to be responsible citizen. What beliefs, attitudes, knowledge, and behaviors are required? What process must one follow to become a citizen of a particular country? And how might students redefine an “enemy of the people,” given the results of their inquiry?
    • Communes and Communal Living. At the beginning of the novel, Sasha and his father live in a communal apartment. Though such living arrangements were common during the Soviet Union and closely associated with the adversities and injustices of the time, the ideals behind communal living can also be viewed as noble. In fact, many people today opt to live in communes, even in democratic and capitalist societies. Invite your students to investigate the social and environmental factors of communal living. What are the benefits? What are the difficulties and downsides? If any communes or other examples of communal living are in your community, take students there to interview residents and explore their ways of life. 

    Critical Literacy
    • Political Rhetoric. Several adults in the story echo the strong political language of Stalin’s regime to coerce children into accepting certain beliefs and condoning certain behaviors. For example, Sasha’s teacher tells Zina Krivko that if she doesn’t accuse another classmate of breaking the nose off Stalin’s bust, even if ZinaFactCheckEd.org and the other websites listed below in the Further Explorations section for helpful resources and lists of rhetorical devices. 
    • Propaganda. Extending the activities for exploring political rhetoric, engage students in a unit on propaganda. Teach them to combine the skills they learn from analyzing political rhetoric with skills for analyzing the visual content and design of propaganda. See the websites related to propaganda listed in the Further Explorations section for resources. Once students have a firm understanding of how propaganda works, have them try their hand at writing it for a particular cause. 
    • Orphans and Orphanages. From Oliver Twist to Breaking Stalin’s Nose, discussions about orphans and orphanages have been common throughout children’s literature. Often, those discussions center on public fears and stereotypes about children who have lost their parents and families, as well as the institutions that care for the children. Gather a text set of books with characters who are orphans (e.g., A Series of Unfortunate Events) and/or books that take place in orphanages. What stereotypes do they contain? How are those stereotypes addressed? Go beyond the books to informational texts and other resources, such as the Worldwide Orphan Foundation, that discuss the realities of orphans and orphanages across the world. What programs, organizations, and foundations exist to help children in these situations? How might your students be able to help as well? 
    • The Purpose of Prisons. Prisons are often viewed as places of punishment for various crimes. And yet, as this novel illustrates through Lubyanka , the range of crimes used to justify sending someone to prison varies greatly. What, then, is the real purpose of prison? Some argue that they exist to lock away social deviants, while others believe that prisons should help to rehabilitate people back into everyday society. Additionally, the purpose of a prison may change depending on governmental and social norms of various historical periods. Invite your students to investigate these questions, drawing on examples from history (e.g. the McCarthy era, the Salem Witch Trials, the Holocaust, the Prohibition era), and if possible, to consider the purpose of local prisons in contemporary times. 

    Further Explorations

    Online Resources

    Newbery Medal – American Library Association
    http://www.ala.org/alsc/awardsgrants/bookmedia/newberymedal/newberymedal

    Eugene Yelchin’s author website
    http://www.eugeneyelchinbooks.com/

    Eugene Yelchin’s virtual art gallery
    http://www.eugeneyelchin.com/

    Official Book website, full of photos and information about the Stalinist era
    http://www.eugeneyelchinbooks.com/breakingstalinsnose/index.php

    Stalin on Trial –lesson plan related to the PBS series “WWII: Behind Closed Doors
    http://www.pbs.org/behindcloseddoors/education/lessons/stalin.html

    The Stalin Project – a NEH supported site for educators about Stalinism
    http://www.stalinproject.com

    NKVD.org – a site with information about the crimes and victims of the Soviet Union Secret Police
    http://www.nkvd.org/

    Soviet Propaganda Machine – online resources related to the PBS series “Red Files”
    http://www.pbs.org/redfiles/prop/index.htm

    Propaganda Techniques in Literature and Online Political Ads – a ReadWriteThink lesson
    http://www.readwritethink.org/classroom-resources/lesson-plans/propaganda-techniques-literature-online-405.html

    Propaganda Critic – a collection of online resources about propaganda, inspired by the work of the Institute for Propaganda Analysis
    http://www.propagandacritic.com/

    Lists of Rhetorical Devices
    http://www.thefreedictionary.com/rhetorical+device
    http://www.dailywritingtips.com/50-rhetorical-devices-for-rational-writing/
    http://facstaff.bloomu.edu/jtomlins/rhetorical_devices.htm

    Logical Fallacies in Advertising - a ReadWriteThink.org lesson
    http://www.readwritethink.org/classroom-resources/lesson-plans/identifying-understanding-fallacies-used-785.html

    Monty Python and the Quest for the Perfect Fallacy - a FactCheckEd.org lesson
    http://www.factchecked.org/Downloads/LessonPlans/Fallacies/fallacy.lesson.final(2).pdf

    Kids.gov
    http://www.kids.gov/6_8/6_8_social_studies_events.shtml

    FactCheckEd.org
    http://factchecked.org

    Worldwide Orphans Foundation
    http://www.wwo.org

    Books

    Bell, W. (1990). Forbidden city: A novel of modern China. New York: Laurel Leaf.

    • A young adult novel set around the Tiananmen Square massacre of 1989. 

    Levine, E. (2005). Catch a tiger by the toe. New York: Viking.

    • A novel set during the height of the McCarthy era, in which a young girl faces the consequences of having a father who is a member of the Communist party.

    Satrapi, M. (2003). Persepolis. New York: Pantheon.
    • An acclaimed autobiographical graphic novel that follows a young girl’s life under the authoritarianism of the Islamic Revolution in Iran. 

    Sis, P. (2007). The wall : Growing up behind the Iron Curtain. New York: Farrar, Straus and Giroux.

    • An autobiographical picture book about the renowned children’s author and illustrator’s childhood in Czechoslovakia under Soviet rule. 

    Whelan, G. (2003). The impossible journey. New York: HarperCollins.

    • A chapter book about 13-year old Marya’s journey with her younger brother, Georgi, to search for their mother, who was banished to Siberia after opposing Stalin. 

    Yue, G. (2011). Little Leap Forward. Cambridge, MA: Barefoot Books.

    • A sensitive chapter book about a young boy’s life in China in the midst of Communism and the Cultural Revolution.

    Monday, February 13, 2012

    2012 Caldecott Medal Winner: A Ball for Daisy

    A Ball for Daisy

    Written and Illustrated by Chris Raschka

    Published by Schwartz and Wade in 2011

    ISBN. 978-0-375-85861-1

    All Ages

    Review

    Joy and despair. Something lost and something regained…. these universal themes receive fresh attention in Chris Raschka’s deceptively simple wordless book, A Ball for Daisy. Readers will instantly fall in love with Daisy, small white dog, and will share her elation at the gift of a new ball from her owner, a young girl. Tail a-wagging, Daisy has a thorough romp with her toy before cuddling up with the bright red ball for a rest on her vividly green striped couch. Later, the girl and Daisy take an outing to the park for a game of fetch. Readers catch their breath when the ball lands behind a fence, but the real crisis comes after the retrieval of the ball. A larger, brown dog snatches Daisy’s ball and runs with it. But, oh,no! – the ball pops. Daisy droops home for a lonely nap on her ball-less couch, practically disappearing into its emptiness, despite the girl’s attempts to comfort her. But, don’t worry. Another outing means anpther encounter and the errant dog’s owner is carrying a blue ball, a replacement gift for Daisy. Raschaka’s characteristic simple, yet bold brush strokes clearly convey action and emotion in this heart warming tale. Changes in color reflect Daisy’s mood, while consistent color motifs create cohesiveness throughout the book. Variation from single page images, to double page spreads, to multiple images per page keep the plot moving forward and emphasize emotional and pivotal moments. This deeply satisfying picture book is a clear expression of Raschka’s artistic genius. Red ball loved and lost – blue ball and friendship gained and all is well with the world.

    Teaching Invitations

    Grades K - 6

    • Further Adventures of Daisy. Readers of A Ball for Daisy will come away with a strong sense of Daisy’s personality. Invite your students to image and compose further adventures for Daisy, writing either wordless stories or stories with text. If you are carrying out this activity with intermediate grade students, you may wish to have your students share the stories they have composed (along with A Ball for Daisy) with primary grade students in your district.
    • Dogs in Action / Helping Dogs. Invite your students to do some first hand research into dog behaviors. Equip your students with digital cameras or tablets with built in cameras and find an opportunity either at home or as part of a school field trip for them to observe dogs first hand. Students should make written notes about what they observe about dog behavior and should take snapshots of the dogs in action. Compile the students’ research, asking them to make connections and comparisons across their observations. Extend the project by consulting informational texts about dogs. You may also want to investigate the many helping roles that dogs play such as guide dogs, therapy dogs, search and rescue dogs. It would be wonderful to arrange a classroom visit from a helping dog with an opportunity for students to interview the dog’s owner.
    • Author Study. Chris Raschka has written and illustrated a wide range of titles in addition to illustrating many books written by other authors. Gather together a collection of Raschka’s works to explore with your students. As you read through the titles together and in small groups, themes in Raschka’s writing will begin to emerge. Guide your students to categorize the books into different grouping – consider the age group for which the story appears to be written, the theme (themes of music, friendship, love, and community will readily stand out), and the writing style. Ask the students to study and describe Raschka’s artistic style. They will likely notice Raschka’s genius at conveying emotion and action with simple bold lines. Just how does he say so much with so little detail (study Yo, Yes! as another brilliant example). Using some of the resources below, explore Raschka’s biography and invite students to think about how his life experiences may influence his work as an author illustrator. Be sure to provide your students with paint and an opportunity to try to imitate Raschka’s artistic techniques.

    Grades 2- 8

    • Storytelling in Pictures/ A Genre Study of Wordless Books. Invite your students to study the techniques that authors use for storytelling when their medium is pictures. You may find Scott McCloud’s Making Comics a useful guide to examining the choices authors make when telling a story visually. The artist/ author makes decisions about which moments to feature, how to frame and focus the image (think camera lens), how to arrange the images to convey the flow of the story, and what medium and artistic style best match the content of the story. Gather a collection of wordless books to examine the visual storytelling techniques of other artists / authors. A listing of wordless books is included below. A Ball for Daisy joins the ranks of several other wordless picture books that have been honored with the Caldecott award. Be sure to include these in your wordless books genre study.
    • Principles of Illustration. What makes a picture work? After reading Molly Bang’s book Picture This (see below), explore some of the principles of illustration with your class. As a class, model the application of these principles by dissecting the illustrations in A Ball for Daisy. Ideally, you would examine the illustrations using a document camera to project the images. How did Raschka create emotional impact through the use of color, line, page breaks, and perspective? Next, break students up into four groups; have two groups apply Bang’s principles to Caldecott Honor book Me… Jane (see our blog entry athttp://www.classroombookshelf.blogspot.com/2011/05/me-jane-watcher.html ), a nonfiction picture book biography and Caldecott Honor book Blackout, a fictional picture book. How do the other illustrators also use some of Bang’s techniques, but to achieve illustrations with a very different mood and tone?
    • Mock Caldecott. Gather 15-20 picture books published in 2011, culling titles from some of the best book lists (seehttp://www.classroombookshelf.blogspot.com/2011_12_01_archive.html ) and the 2011 picture book entries in this blog! Review the Caldecott Medal criteria available on the ALA webpage (see below) and post it in your room. Next, spend a week having your students reading the picture books in small groups, applying the criteria, and taking notes. Have each small group come to consensus on their top five books to nominate. Use their choices to narrow the field of contenders. Next, ask each group to choose two favorites from the remaining titles; the group should prepare a clearly articulated rationale for why the illustrations are worthy of being recognized with the Caldecott Medal. After hearing from each group, the class should vote for a winner.
    • Righting a Wrong. The owner of the dog who popped Daisy’s ball makes amends by getting a new blue ball for Daisy. Prepare a list of scenarios that involve harm to a person or animal (to your own comfort level for class discussion, of course). Either in small groups, or over time in large groups, perhaps as part of your circle or morning meeting time, discuss the scenarios and ask students to brainstorm ways to make amends or to put the situations to right. As an extension you could have students either craft fictional stories using the scenarios (wordless or with text) or you could co-create a class big book that features each scenario on a page or double page spread.
    • Character Study of Dogs in Literature. Gather together a collection of fictional picture books that feature dog protagonists. Select a range of titles that include dogs acting as dogs might and dogs acting as humans. Ask your students to analyze the character of the dogs in each title, identifying examples of authentic dog behavior vs. imagined dog-like behavior, vs. clearly human-like behavior, perhaps physically placing the books in a continuum from dog-like to human-like. Introduce your students to the concept of anthropomorphism (ascribing human characteristics to animals) and the idea that this may be an effective technique in fictional writing, but can be problematic in informational writing.

    Critical Literacy

    Grades 4 - 8

    • Animal Emotions. There’s no question about the emotions that Daisy experiences in the story. She ranges from exuberant joy to deep despondency. Invite your students to investigate what science tells us about animal emotions. Do scientists believe that animals experience the array of emotions that humans do? What techniques have they used to investigate animal emotions? Does science build on, confirm, or contradict the beliefs of pet owners who report first hand experiences with the emotions of their pets? For older students, you might take this further, investigating the implications of animal emotions for human interaction with animals, specifically with issues related to animal rights (animal testing, arranged animal fighting, animal captivity, and others….). What are the issues and how have people stated their position on these issues?
    • Dogs as Pets? The concept of keeping a dog as a pet is familiar to many children who live in the United States. However, in other cultures, dogs would not be invited into the house. In Anna Hibiscus, Have Fun (see our blog entry athttp://classroombookshelf.blogspot.com/2011/09/good-luck-anna-hibiscus-and-have-fun.html ), Anna, who lives in Africa, visits her grandmother in Canada and is amazed her grandmother treats her dog like a family member . In her experience, “Dogs live outside and eat rubbish.” Invite your students to investigate cultural perceptions of dog ownership.

    Further Explorations

    Online Resources

    ALA: Caldecott Medal Page

    http://www.ala.org/alsc/awardsgrants/bookmedia/caldecottmedal/caldecottmedal

    NPR Interview with Chris Raschka

    http://www.npr.org/2012/01/23/145656652/caldecott-winner-chris-raschka-discusses-his-book

    Raschka on You Tube for Once Upon A Book

    http://www.youtube.com/watch?v=8x5GYm-jHHM&noredirect=1

    Artist Profile: Chris Raschka

    http://nccil.org/experience/artists/raschkac/

    Random House Teacher’s Guide for A Ball for Daisy

    http://www.randomhouse.com/catalog/teachers_guides/9780375858611.pdf

    Therapy Dogs International

    http://www.tdi-dog.org/

    Assistance Dogs of America

    http://www.adai.org/

    National Association for Search and Rescue: Canine Search and Rescue

    http://www.nasar.org/page/34/Canine-Search-and-Rescue

    Animal Planet: Do Animals Have Emotions

    http://animals.howstuffworks.com/animal-facts/animals-have-emotions.htm

    National Geographic: Animal Minds

    http://ngm.nationalgeographic.com/2008/03/animal-minds/virginia-morell-text

    Jeffrey Maason on Animal Emotions

    http://jeffreymasson.com/

    Books

    Bang, M. (2000). Picture this: How pictures work. New York: SeaStar Books.

    • A highly effective presentation of the elements of design and their role in storytelling.

    Day, A. (1985). Good dog, Carl. New York: Simon and Schuster.

    • Carl, a lovable Rottweiler turned babysitter, makes mischief with the baby, but all is set to right before mother returns home in this practically wordless picture book.

    Ehlert, L. (2011). Rrralph! New York: Beach Lane Books.

    • Meet Ralph, a lovable black and white canine who talks to his owner. Clever word play will have readers of this picture book laughing out loud.

    Ehlert, L. (2007). Wag a tail. New York: Harcourt.

    • A group of fellow graduates from the Bow Wow obedience school meet at a farmer’s market and then take a romp in the park in this picture book featuring Ehlert’s cheerful collage illustrations.

    Feiffer, J. (1999). Bark, George. New York: HarperCollins.

    • George’s mother is concerned because her puppy doesn’t know how to bark; when he makes all kinds of other sounds, she takes him to see the vet.

    George, K.O. (1999). Little dog poems. Ill. by J. Otani. New York: Clarion Books.

    • In a series of short poems, a young girl describes a day with her lively Little Dog.

    Lowrey, J.S. (1942). The poky little puppy. Ill. by G. Tenngren. New York: Random House.

    • This classic Little Golden Book features a little puppy who ventures out on his own.

    Maason, J.M. (2011). Dogs make us human: A global family album. Photos by A. Wolfe. New York; Bloomsbury USA

    • A collection of photographs of people and their dogs is accompanied by a discussion of the bonds between humans and dogs. The author has studied animal emotions.

    MacLachlan, P. & Charest, E.M. (2006). Once I ate a pie. Ill. by K. Schneider. New York; Joanna Cotler Books.

    • A collection of fourteen poems starring fourteen different dogs each with a distinctive personality.

    McCloud, S. (2006). Making comics: Storytelling secrets of comic, manga, and graphic novels. New York: Harper.

    • This informative guide focuses on both the words and pictures of these writing forms and provides a useful overview of visual storytelling techniques.

    Rathmann, P. (1995). Officer Buckle and Gloria. New York: Putnam.

    • This hilarious Caldecott-winning picture book features a police officer who makes safety speeches at local schools along with his dramatically-inclined sidekick, a police K-9.

    Reiser, L. (2006). Hardworking puppies. New York: Harcourt.

    • Ten puppies of different breeds each find jobs in different working dog helping roles.

    Seymour, S. (2009). Dogs. New York: HarperCollins.

    • A photo-essay overview of dogs and their behaviors

    Teague, M. (2002). Dear Mrs. Larue: Letters from obedience school. New York: Scholastic.

    • Feb up with the behavior of her dog, Ike, Mrs. Larue sends him to obedience school. In a series of hilarious letters, Ike complains about his plight.

    Wordless Books

    Baker, J. (2010). Mirror. Cambridge, MA: Candlewick Press.

    Baker, J. (2004). Home. New York: Greenwillow.

    • A baby grows to adulthood as her urban neighborhood experiences renewal in this wordless book, which depicts change over time.

    Baker, J. (1991). Window. New York: Greenwillow.

    • In this wordless book, a young boy grows from infancy to adulthood as the Australian bush outside his window develops into a crowded city.

    Bang, M. (1980). The grey lady and the strawberry snatcher. New York: Simon & Schuster.

    • In this Caldecott Honor winning wordless picture book, the author makes brilliant use of negative space to depict the grey lady’s escape from the rascal who wants to steal her strawberries.

    Lehman, B. (2011). The secret box. Boston: Houghton Mifflin.

    Lehman, B. (2006). Museum trip. Boston: Houghton Mifflin.

    • On a class trip to an art museum a young boy finds himself navigating the mazes featured in a special exhibit.

    Lehman, B. (2007). Rainstorm. Boston: Houghton Mifflin.

    • On a rainy day, a young boy finds a key and a chest in his home; climbing inside he finds a ladder that leads to a sunny island and playmates.

    Lehman, B. (2004). The red book. Boston: Houghton Mifflin.

    • In this Caldecott Honor book, a young girl finds a red book in a snow bank and discovers that it has the power to connect her to a boy on a tropical island who is reading a red book…

    Lehman, B. (2008). Train stop. Boston: Houghton Mifflin.

    • While traveling on a subway with her parents, a young girl makes an unexpected stop to rescue a tiny pilot stuck in tree in a beautiful land inhabited by miniature people.

    Newgarden, M. & Cash, M.M. (2007). Bow-wow bugs a bug. New York: Harcourt.

    • When a small black bug invades his home, Bow-wow chases him out the dog door and around the block, with some extraordinary encounters along the way.

    Pinkney, J. (2009). The lion and the mouse. New York: Little Brown.

    • This Caldecott Honor book uses images to tell the classic Aesop's fable of the lion and the mouse.

    Rogers, G. (2004). The boy, the bear, the baron, the bard. New Milford, CT: Roaring Brook Press.

    • In this time travel adventure, a young boy chases after his soccer ball into an old theater and finds himself in the middle of one of Shakespeare’s productions.

    Wiesner, D. (2006). Flotsam. New York: Clarion.

    • In this Caldecott-winning title, in which a boy finds a camera on the beach and develops the pictures to follow the fantastical underwater journey of the camera.

    Additional wordless titles by David Wiesner can be found athttp://www.hmhbooks.com/wiesner/


    Sunday, February 5, 2012

    2012 Coretta Scott King Award for Writing, Honor Book for Illustration: Heart and Soul

    Heart and Soul: The Story of America and African Americans

    Written and Illustrated by Kadir Nelson
    Balzar and Bray, 2011
    ISBN: 978-0-06-173074-0

    Review

    This extraordinary work of art tells the story of America through the lens of African American history. It is at once familiar and yet unfamiliar to all too many. Even author-illustrator Kadir Nelson informs his reader, “[b]efore working on Heart and Soul, I had known that African Americans had a deep connection to America, but it wasn’t until I became engrossed in my research that I could fully appreciate how.” Now, any reader of this book has the chance to “appreciate how.” As a brisk trot through the timeline, Nelson’s “intimate introduction” offers its readers the opportunity to digest the larger landscape of American history while instilling curiosity about the individual men and women who forged forward in times of crisis and opportunity. While nonfiction purists might resist the fictional narrator, an elderly woman who invokes the oral tradition and tells “young folk” that “it’s important that you pay attention, honey,” others will embrace this personalized history. It is difficult to imagine any reader resisting the extraordinary oil paintings rendered by Nelson. The detailed paintings pulse with life, and include portraits of individuals and groups contrasted against dramatic skies. The two-page spreads that punctuate the book allow us to bear witness to the Middle Passage, run with the Union troops at Fort Wagner, or face striking workers during the early 20th century. Perhaps because of Nelson’s previous experience with film, his use of contrast, line, and shifting perspectives and direction visually carry his reader through the arc of American history, as if a moving image. The backmatter includes an author’s note, timeline, and bibliography. As a work of art and history, Heart and Soul offers teachers and their students seemingly endless classroom connections and opportunities.

    Teaching Invitations

    Grades 4-8
    • Moments in History. After reading Heart and Soul, have your students divide up into small groups based on the period in American history that most interested them. What questions do they have about that time period? What particular questions do they have about the African American experience and/or other ethnic or religious groups? Once the group has developed key research questions, have them conduct research using the digital resources and books listed in the Further Explorations section below. Students may decide to share their research in the form of an original nonfiction picture book, like Heart and Soul, or a podcast, or a series of murals, portraits, and statues for a hallway in your school, like the ones in the US Capitol Rotunda described in chapter one.
    • Oral Histories: Family. After reading Heart and Soul, have your students interview a family member, neighbor, or adult at your school about a moment in history that s/he lived through. What did they experience? How did they feel during the experience? What did they know at the moment compared to what they learned after the event was long over? After the interviews are conducted, have your students do research on the event, using print and digital sources. Using Heart and Soul as a mentor text, have the students write a narrative using the voice of the person they interviewed, but provided the full range of information gleaned on the subject. Your students might want to pay particular attention to the ways in which the race, gender, or ethnicity of the interviewee shaped his/her experience of the event. For guidance and examples of oral histories online, look to the Education Committee of the Oral History Association at: http://www.oralhistory.org/wiki/index.php/Main_Page.
    • Oral Histories and Your Community. What is the history of your community? What can the elders in your community tell you? Contact your local senior citizens center or retirement community, to look for volunteers to be interviewed. Who has lived in the community for their entire lives? Most of their lives? Have your students develop questions about the community in different decades, drawing on the history of the 20th century detailed in Heart and Soul. Interview senior citizens, and then have your students conduct additional research using print and digital resources. Write a class book that tells the story of your community and its residents. Make copies of the book available at the senior center, local library, and school. In addition, select a panel of students and seniors to participate in a talk filmed for your local cable television station or podcast on your school website. Again, you may find the resources of the Oral History Association valuable in guiding and planning your work: http://www.oralhistory.org/wiki/index.php/Main_Page .
    • Illustrator Study. Have your students examine the art work in the picture books that Nelson has illustrated as well as We are the Ship, another book that he both authored and illustrated. What themes do they see in his work? How does his style vary? Next, have students listed to the January 2012 NPR Interview with Nelson (see Further Explorations below) to hear about some of the influences on his painting. For an even more nuanced exploration of visual literacy across visual texts from different time periods, explore some of the artists that he mentions and see if you can trace their influence in his illustrations. 
    Grades 6-8

    • Liberia. You and your students may not be aware of efforts on the part of some black and white Americans to relocate formerly enslaved African Americans to Liberia, on the west Coast of Africa. To learn more about Paul Cuffee, a successful African American ship captain and merchant from Massachusetts who initially spearheaded the venture, and James Forten, a wealthy African-American Revolutionary War veteran and ship builder from Philadelphia, you can explore online collections (http://www.pbs.org/wgbh/aia/part3/3h485.html; http://www.loc.gov/exhibits/african/afam002.html ) and read about them and the movement in Tonya Bolden’s middle grade nonfiction Tell All the Children Our Story: Memories of Being Young and Black in America.
    Critical Literacy

    • Finding Our Faces. In chapter one, we are told that the Capitol building in Washington, DC was “built by slaves and freemen to be a symbol of the liberty Americans had won from England in the American Revolution,” and the while the “paintings tell the story of how American came to be” there is “nary a black face in all of those pretty pictures.” A quick review of some of the primary sources available in the Online Resources will demonstrate quite clearly that Africans and then African Americans have been a part of US history from its inception, playing roles that may surprise those who only know the “textbook” version of American history. Have your students explore the paintings in the Rotunda (http://www.aoc.gov/cc/photo-gallery/ptgs_rotunda.cfm) as well as their setting (http://www.aoc.gov/cc/capitol/rotunda.cfm), including a virtual tour, and finally, the language written about the Rotunda and its paintings. Other works of art in the Rotunda are also described online. Whose voices are included and excluded in this exhibition? Compare and contrast America’s story in the Rotunda with America’s story as represented in the National Statuary Hall, also a part of the Capitol building, which you can find an overview of at: http://www.aoc.gov/cc/art/nsh/nsh_coll_origin.cfm and an index on each statue at: http://www.aoc.gov/cc/art/nsh/index.cfm. Do your students agree with the choices that represent your state? Why or why not? Explore the possibilities of creating public art in your community. Can your students design a mural that embraces the full history of your community and its residents over time?
    Further Explorations

    Digital Resources
    • This week, we have general African American history resources, covering the colonial period through the Harlem Renaissance, and then regional resources along the East Coast, covering the colonial period through the Civil War. While it is impossible to be comprehensive, we wanted to provide a broad range of African American history that may not be as well known to the education community as particular moments in American history, such as the Civil Rights Era.

    2012 Coretta Scott King Award
    http://www.ala.org/emiert/cskbookawards

    The Art of Kadir Nelson
    http://www.kadirnelson.com/

    January 2012 NPR Interview with Kadir Nelson and the Chair of the Coretta Scott King Committee http://www.npr.org/templates/story/story.php?storyId=145705190

    General African-American History

    Library of Congress: The African-American Mosaic
    http://www.loc.gov/exhibits/african/introduction.html

    Library of Congress: African-American Perspectives: Pamphlets, 1818-1907
    http://lcweb2.loc.gov/ammem/aap/aaphome.html

    National Humanities Center
    http://nationalhumanitiescenter.org/tserve/freedom/1609-1865/essays/africa.htm

    National Geographic Underground Railroad Site
    http://www.nationalgeographic.com/railroad/

    National Underground Railroad Freedom Center
    http://www.undergroundrailroad.com/

    Slavery and the Making of America: PBS Online Resources
    http://www.pbs.org/wnet/slavery/

    Library of Congress, African-American Odyssey: Slavery
    http://memory.loc.gov/ammem/aaohtml/exhibit/aopart1.html

    Library of Congress, African-American Odyssey: Free Blacks in the Antebellum Period
    http://memory.loc.gov/ammem/aaohtml/exhibit/aopart2.html

    National Park Service African American History
    http://www.nps.gov/history/aahistory/

    Harlem Renaissance
    http://www.jcu.edu/harlem/index.htm

    Harlem Renaissance: Library of Congress
    http://www.loc.gov/rr/program/bib/harlem/harlem.html

    Great Migration
    http://www.digitalhistory.uh.edu/database/article_display.cfm?HHID=443

    Great Migration: NPR Story
    http://www.npr.org/templates/story/story.php?storyId=129827444

    Great Migration: Library of Congress
    http://www.loc.gov/exhibits/african/afam011.html

    African-Americans in the North 1609-1865

    Slavery in the North
    http://www.slavenorth.com/slavenorth.htm

    Massachusetts

    Museum of African American History, Boston and Nantucket
    http://www.afroammuseum.org/

    New Bedford Whaling Museum
    http://www.whalingmuseum.org/library/old_nb/old_nb_african.html

    Massachusetts Historical Society
    http://www.masshist.org/

    Phillis Wheatley, Colonial Poet
    http://www.poets.org/poet.php/prmPID/431

    New Hampshire

    Portsmouth Black History Trail 
    http://pbhtrail.org/web/

    Portsmouth African American Burial Ground
    http://www.cityofportsmouth.com/abg/


    Connecticut

    Fortune’s Story: Slavery in Connecticut
    http://www.fortunestory.org/fortune/fortune.asp

    Fortune’s Bones NPR Story
    http://www.npr.org/templates/story/story.php?storyId=1433035

    Maine

    University of Southern Maine - Maine African-American History
    http://library.usm.maine.edu/specialcollections/aahistory.html

    Maine Memory Network of Maine Historical Society: African American Search Results
    http://www.mainememory.net/bin/SwishSearch?Keywords=african+americans&submit=SEARCH

    Vermont

    Vermont Historical Society: Underground Railroad Project
    http://www.vermonthistory.org/index.php/education/online-resources/underground-railroad-project.html

    Buxton, Canada

    Buxton National Historic Site and Museum
    http://www.buxtonmuseum.com/index.html

    Article on the Founding of Buxton
    http://www.jstor.org/pss/2713816

    African-Americans in the Mid-Atlantic 1609-1865


    New York

    The New York Historical Society: Slavery in New York
    http://www.slaveryinnewyork.org/tour_galleries.htm

    Slavery in New York’s Hudson Valley
    http://www.hudsonvalley.org/content/view/70/134/

    Digital Schomburg: Online Exhibitions of the Schomburg Center of The New York Public Library
    http://www.nypl.org/locations/tid/64/online_exhibitions

    Pennsylvania

    Pennsylvania Historical Society: Free African Americans in Philadelphia
    http://www.hsp.org/default.aspx?id=750

    African-Americans and Pennsylvania’s Railroad History
    http://www.rrmuseumpa.org/about/rrpeopleandsociety/africanamericans.shtml

    Maryland

    Maryland Historical Society: Online Image Collection of African-American History
    http://archive.mdhs.org/library/Z24AfrAm.html

    African-Americans in the South 1609-1865

    Virginia

    Colonial Williamsburg: African-American History
    http://www.history.org/almanack/people/african/index.cfm

    Virginia Historical Society: African-American History
    http://www.vahistorical.org/tah/intro.htm

    North Carolina

    Harvey B. Gantt Center for African-American Arts and Culture, Charlotte, NC
    http://www.ganttcenter.org/web/

    South Carolina

    PBS: Gullah Culture / South Carolina
    http://www.pbs.org/now/arts/gullah.html

    Dave Drake, Potter, Biography and Samples of Pottery
    http://www.usca.edu/aasc/davepotter.htm

    Dave the Potter Exhibit Information
    http://www.folkpotterymuseum.com/pr/pr2.html

    David Drake’s Pottery at Philadelphia Museum of Art with Great Audio Files
    http://www.philamuseum.org/collections/permanent/91457.html

    The Classroom Bookshelf Blog Entry for Dave the Potter
    http://classroombookshelf.blogspot.com/2011/02/2011-ala-coretta-scott-king-illustrator.html

    Louisiana

    New Orleans African American Museum
    http://noaam.org/

    Amistad Research Center of Tulane University
    http://www.amistadresearchcenter.org/index.php/digital

    Georgia

    Georgia Historical Society
    http://www.georgiahistory.com/containers/19

    Books
    • Because we have so many titles that we would like to share, in order for you to explore American History through the lens of the African American History, we have included a larger selection of print titles. As a result, we are not annotating them this week. This is only impressionistic, and by no means comprehensive.
    Poetry

    Greenfield, E. (2011). The great migration: Journey to the north. Ill. by J.S. Gilchrist. New York: Amistad.

    McKissack, P. (2011). Never forgotten. Ill. by L. and D. Dillon. New York: Schwartz and Wade.

    Myers, W.D. (1993). The great migration: An American story. Ill. by Jacob Lawrence. New York: Harper Collins.

    Nelson, M. (2004). Fortune’s bones: The manumission requiem. Asheville, NC: Front Street.

    Picture Book Fiction

    Edwards, P. D. (1997). Barefoot: Escape on the Underground Railroad. Ill. by H. Cole. New York: HarperTrophy.

    Hopkinson, D. (1993). Sweet Clara and the freedom quilt. Ill. by J. Ransome. New York: Dragonfly Books.

    Hopkinson, D. (2005). Under the quilt of night. Ill. by J. Ransome. New York: Aladdin.

    Levine, E. (2007). Henry’s freedom box. Ill. by K. Nelson. New York: Scholastic.

    Morrow, B. O. (2003). A good night for freedom. Ill. by L. Jenkins. New York: Holiday House.

    Nelson, V. M. (2003). Almost to freedom. Ill. by C. Bootman. Minneapolis, MN: Carolrhoda Books.

    Rappaport, D. (2000). Freedom river. Ill. by B. Collier. New York: Hyperion.

    Slate, J. (2009). I want to be free. Ill. by E. B. Lewis. New York: G. P. Putnam’s Sons.

    Winter, J. (1988). Follow the drinking gourd. New York: Knopf.

    Chapter Book Fiction

    Anderson, L. H. (2010, 2008). Chains. New York: Atheneum Books for Young Readers.

    Anderson, L. H. (2010). Forge. New York: Atheneum Books for Young Readers.

    Curtis, C. (2007). Elijah of Buxton. New York: Scholastic.

    Curtis, C. (2012). The Mighty Miss Malone. New York: Wendy Lamb Books.

    Lester, J. (2005). Day of tears. New York: Jump at the Sun.

    McGill, Alice. (2000).Miles’ song. Boston: Houghton Mifflin.

    McKissack, P. and McKissack, F. (1998). Let my people go: Bible stories told by a freeman of
    color to his daughter, Charlotte, in Charlestown, South Carolina
    , 1806-1816. Illus. by J.
    Ransome. New York: Atheneum Books for Young Readers.

    Siegelson, K. (1999). In the time of drums. Ill. by B. Pinkney. New York: Jump at the Sun.

    Picture Book Nonfiction

    Evans, L. (2011) Underground. New York: Roaring Brook Press.

    Hill, L. (2010). Dave the potter. Ill. by B. Collier. New York: Little Brown & Company.

    Lasky, K. (2006). A voice of her own: The story of Phillis Wheatley, slave poet. Ill. by P. Lee.
    Cambridge, MA: Candlewick.

    Nelson, V. M. (2009). Bad news for outlaws: The remarkable life of Bass Reeves, U.S. marshall.
    Ill. by R. G. Christie. Minneapolis, MN : Carolrhoda Books.

    Woodson, J. (2005). Show way. Ill. by H. Talbot. New York: Putnam's.

    Chapter Book Nonfiction

    Aronson, M. and Budhos, M. (2010). Sugar changed the world: A story of magic, spice, slavery, freedom, and science. New York: Clarion Books.

    Bolden, T. (2005). Maritcha: A nineteenth-century American girl. New York: Abrams.

    Bolden, T. (2001). Tell all the children our story: Memories and mementos of being young and black in America. New York: Harry Abrams.

    Cox, C. (2002). Come all you brave soldiers: Blacks in the Revolutionary War. New York: Scholastic.

    Fradin, D. B. (2000). Bound for the North Star: True stories of fugitive slaves. New York: Clarion Books.

    Hamilton, V. (1985, 2009). The people could fly: American Black folktales. Ill. by L. Dillon and D. Dillon. New York: Knopf.

    Hansen, J. and McGowan, G. (1998). Breaking ground, breaking silence: The story of New York’s African Burial Ground. New York: Henry Holt and Company.

    Haskins, J., Cox, C. & Wilkinson, B. (2002). Black stars of colonial times and the Revolution: African Americans who lived their dreams. Hoboken, NJ: Jossey-Bass.

    McKissack, P. and McKissack, F. (1999). Black hands, white sails: The story of African-American whalers. New York: Scholastic.

    Myers, W. D. (1991). Now is your time: The African-American struggle for freedom. New York: Harper Collins.

    Rappaport, D. (2006). No more! Stories and songs of slave resistance. Illus. by S. Evans. Cambridge: Candlewick Press.